In contrast to MOS, filmmakers often utilize sound to enhance a film’s narrative. Whether it be for a big-budget blockbuster or an independent film, MOS is a technique that should not be overlooked by filmmakers looking for new ways to tell their stories. It is versatile, cost-effective, and used in films of all genres.īy using MOS correctly, filmmakers have the ability to create powerful visuals with their limited resources. MOS can be a valuable filmmaking technique that offers filmmakers the opportunity to reduce background ambient noise and focus on dialogue-driven scenes. This means extra costs related to hiring a foley artist and renting or purchasing equipment for the foley record session. Since no background or ambient sound is recorded, any sound that is needed must be added in post-production, which can often be an expensive process.Īdditionally, any original sound effects that were used must also be recreated. Using MOS can lead to additional expenses related to foley work for sound. In some cases, relying too heavily on MOS could even detract from the overall experience of watching a movie. Disengages audienceĪdditionally, viewers may find silent scenes to be more monotonous and difficult to follow than dialogue-heavy ones. MOS eliminates any extraneous audio that could be used to set the tone of a scene or add atmosphere, and sound effects can also help draw viewers into a story in a way that visuals alone cannot. With every benefit there is to MOS, using it poorly or for the wrong reasons can also have major disadvantages. What Does MOS Mean in Film Production? Disadvantages of MOSĪlthough MOS (sometimes known as “Mute on Sync”) has many benefits for filmmakers, it also presents challenges.
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